If extraordinary visualisation, brilliant colours and superb dynamic contrast is key for your business, then the NEC PA703W should be your first choice. The NEC PA703W – the “multi-tool” installation projector
To reduce your installation costs, the projectors can be ordered bundled with the NP13ZL standard lens, which meets the projection requirements of 90% of all installations! Order Code: 40001119 Like a multi-tool, the essential features continue with management of the latest copyright protocol to play 4k and Ultra HD Blu-ray content whilst the long lamp life and even longer filter life earn a most attractive Total Cost of Ownership.Īll in all the NEC PA653U projector is perfectly suited for meeting-, lecture- and seminar-rooms in corporate and higher education installations. The unique HDBaseT-out interface enables multiple projector daisy chaining via cost efficient network cables to a single source helping to reduce installation costs. The compact 6,500 ANSI lumen LCD projector with WUXGA resolution not only trumps the competition with its unique colour processing technology, but also in its outstanding installation capabilities where motorized lens shift, focus and zoom makes setup effortless. If extraordinary visualisation, brilliant colours and superb dynamic contrast is key for your business, then the NEC PA653U should be your first choice. It was a finicky installation, where edge blending black is notoriously difficult.The NEC PA653U – the “multi-tool” installation projector The content is highly detailed on a black backdrop. The visualisation is a piece comprising five Panasonic laser projectors edge blended onto a curved screen.
EDGE BLENDING BLACK SPACE TV
The Constellation takes the items collected by visitors on their Lens (a NFC disc developed by the museum) throughout the exhibition and connects them up to hundreds of other films, TV series, artworks and videogames beyond the scope of the gallery. One of the showstopper exhibits is the Constellation space, which comprises six interactive touchscreen tables with an interface developed by Grumpy Sailor and a data visualisation called Entities, designed by OOM Creative and More Studio. Luckily Panasonic had a lens for everything.” We haven’t used a single standard lens in the exhibition anywhere. Given the low ceilings and exposed services of the exhibition space, the Panasonic ultra-short throw zoom lens was joined by a whole bunch of other UST lenses that allowed the team to shoe-horn the projectors into the cramped ceiling spaces while never impinging on the visitors’ experience.Įvan: “Everywhere we went to hang a projector, we couldn’t. The lens allows us to cover a huge area from a crazy-short distance, combine that with the internal geometry correction of the projector and we made it happen.” We examined the specs and we did all the mock-ups and we didn’t believe it till we saw it. It’s gigantic and it sort of defies the laws of physics - none of us believed it would work. It’s called the 020 ultra-short throw zoom lens. A brand new Panasonic lens came to the rescue. The space didn’t lend itself to using two projectors and edge blending. One of the projections involves a curved screen, but not uniformly curved - it turns a corner three quarters of the way down its length. I can assure you, it wasn’t technically simple. Technically, it looks relatively simple and it fills the space with movement and colour.
For example, there’s an artwork of four projections on screens, which is quite a large piece and beautifully shot. It’s a lesson in using the best technology for the application, as ACMI’s project manager for the renewal work, Evan Davies, explains: “The Panasonic projection really serves the content well and allows us to be creative with the way we present that content. The Story of the Moving Image is replete with display technologies - with more than 100 Panasonic commercial LCD panels and 20-plus Panasonic DLP laser projectors. A journey through the past, present and future of film, TV and video games, it’s no longer a ‘permanent’ exhibition, it’s designed to evolve and respond and is packed with interactive experiences. The ‘Story of the Moving Image’ is the new ‘centrepiece’ exhibition. The technology has also enjoyed a total overhaul. It’s undergone a massive A$40m upgrade, that has addressed virtually every space in the museum. ACMI, the Australian Centre for the Moving Image, at Federation Square, Melbourne, is Australia’s national museum of film, video games, digital culture and art.
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